1. SONGS WRITTEN BY JOHN D. LOUDERMILKOn these pages I try to give a list of "all" the songs John D. Loudermilk has written and who covered them.
To Loudermilk bio & link page This is part 1, 1956-1960 The Colonial, Columbia, Universal-Cedarwood years To part 2, 1960-1963 RCA, Hickory, Nashville, teen, hillbilly and novelty
Part 1: 1956-1960
|
songtitle:
composer words & music John D. Loudermilk unless otherwise specified |
covers:
blue=got the vinyl or mp3,
black=ain't got the music | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
"John Loudermilk" (composer credits on the US original 78), "Johnnie Dee" on some other 1956 releases |
JDL's first song, and a US top 10 hit!
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A-plus in love Dee = Loudermilk |
B-side first JDL record, released as "Johnny Dee featuring Joe Tanner on guitar", lyrics of A-plus |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Dee = Loudermilk
|
JDL's original hit #38 Billboard pop charts; Cochran's cover hit #18. ←the rare picture cover of the 1956 promo release "at present a student at Campbell college"
Two Japanese cover releases, a 7" by rocker Keijiro Yamashita (1939-2011) and a LP by Masaaki Hirao, singer, actor.
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
My Big Brother's Friend Dee |
Cecelia Batten had a local hit with the song, see story below.
The Carol Hughes' version was even released internationally, exist in a Norwegian pressing and also on 45 and 78 in a Dutch pressing, Aug. 1957 ←Cashbox add, Apr. 1957 |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cecelia Batten recorded for Colonial and worked with Joe Tanner and Johnny Dee.
I was lucky to be able to contact her, she wrote me about her career:
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
It's Gotta Be You Dee = Loudermilk |
An early photo of Johnny Dee and the Bluenotes. Drummer is Chuck Bergner of Bergner's Music Store, West Franklin Street, where Colonial Records was located. On the left, guitar Joe Tanner and bass player in the back may be Tom Underwood. Photo by Hugh Morton) |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Teenage Queen Dee = Loudermilk / Campbell |
Orville Campbell, Colonial talent scout who discovered
George Hamilton IV, co-composer on payola-basis?
Anyway, a silly song... (lyrics) |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A rare 45 release on the Smash label, the Teenager's Favourite.
Two sides of Colonial Records released for the Dutch market. Smash was a subsidiary of Artone records, they distributed recordings of various foreign labels. On Smash 08-A "Teenage Queen" by Johnny Dee, coupled with Cecelia Batten's "My Big Brother's Friend" as the B-side. This was, as far as I could find, the only 45 rpm record by Loudermilk ever pressed in Holland.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Page One Dee |
Features vocals by Doug Franklin, the closest to doo-wop a JDL-cover ever came |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1000 Concrete Blocks Dee = Loudermilk |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
In My Simple Way Dee = Loudermilk |
Some of JDL's songtitles seem to be inspired by biblical phrases, this is one of 'm |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Singing on the Mountain Dee = Loudermilk |
A perfect gospel in a traditional way. Performed by a North Carolina group,
founded in 1946 and still active these days, now as the Carolina Quartet. On this 1957 recording, the group consisted of
Wilson Creech, bass; Vernon Norris, 1st tenor; Radford Munden, 2nd tenor; Jimmy Creech, baritone.
On the original Colonial release, Johnny Dee was credited composer. The song was copyrighted under Loudermilk's name in 1969. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Goin' Courtin' Dee |
A boy/girl duet song about shine my shoes, powder my nose, park our old jalopy and romance |
Two songs recorded by Johnny Dee & Cecelia Batten.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Freckles Dee |
Duet song with a male (I've got a little girl, what's her name - Freckles)
and female (My name's Freckles and goodness knows, everybody kids me when they look at my nose) vocal |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Asiatic Flu Dee = Loudermilk |
Good novelty song, lyrics
John D's alias on this record is a wink to Dickens character Ebeneezer Scrooge. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
That's All I've Got Dee = Loudermilk |
Good rockabilly song,
lyrics |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Two pictures by Hugh Morton. The photos were taken August 22th. 1957, at the recording session for Colonial that took place at WUNC, Swain Hall, University of North Carolina, Chapel Hill, NC. Probably at this session, the Ebe Sneezer songs were recorded. So in fact we see here Ebe Sneezer & his Epidemics, who were in fact Johnny Dee and the Bluenotes. left: front 'Ebe Sneezer', far right with guitar Joe Tanner, and the three Epidemics back-up chorus from L to R, probably, Pat Harrington, Tom Underwood, Ralph Harrington. right: Cecelia Batten at that same session. Not sure what song is being recorded. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Somebody Sweet Dee = Loudermilk |
Billboard's review spotlight, Nov. 1957 of They Were Right: "Dee, who hasn't been able to follow his hit, Sittin' in the Balcony,
with another sofar, may have the right contender with this effort. He registers well with excellent choral support by the
Blue Notes on a simply presented ballad-type with highly effective guitar and drum backing. Teens could go far for it.
Flip is an attractive rockabilly item Somebody Sweet"
When DOT released the single, Billboard's review (Feb. 1958) considered Somebody Sweet the A-side: "The tune has a folkish, gospel feel. Dee's vocal is rendered with good chorus and ork support. This could step out" Lyrics They Were Right Lyrics Somebody Sweet |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
They Were Right Dee = Loudermilk |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
In 1958 Loudermilk moved from Colonial to Columbia, and dropped the alias Johnny Dee. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Yearbook |
Yearbook was the B-side of
Susie's House, a Danny Wolfe composition. The record was offered to deejays with a picture sleeved promotional release.
Lyrics, including 'lost' verse. JDL performed Yearbook on the Dick Clark Saturday Night Beechnut Show (episode 1-18, June 14, 1958) and Susie's House on Dick Clark's American Bandstand episode 213, May 9, 1958. Does footage of these shows still exist? |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Yo-Yo |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Lover's lane |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Goin' Away To School |
Warner Mack was in fact the first to release the song.
On the B-side of Loudermilk's single was a cover of This Cold War With You, a Floyd Tillman original of 1956 |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A great rockabilly song, written in 1958 but recorded 1 year later. Jimmy later recorded as Jimmy C Newman a lot of cajun stuff
label shot |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Honey-Bunch |
probably unreleased |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Love Is King Loudermilk / Wilkin |
probably unreleased |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
You Take The Table |
Bob Gallion, a good time honky tonker had a #18 C&W hit with the song,
June Webb was an Opry regular working with Roy Acuff. Bob recorded the song first, June recorded it 6 days later.
But then June's was the first to release, Bob's release was one week later on the market. Anyway, as Gallion's
version was a much stronger performance, he was the one to chart.
The song is an excellent 50s C&W product. lyrics |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
God Will Loudermilk / Wilkin |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Mindy O My Mindy Loudermilk / Wilkin |
probably unreleased |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Another great song. The original version by Mary Klick (see bio below) got little attention.
But when The Chordettes released the song some months later on the B-side of their new 45, the song spread all over the world.
German hit version of 1959, as Treu will ich dir bleiben, lyrics by Hans Bradtke, sleeve of her EP-version A recent cover is by Adam C. Burke, who learned the song from the 45 rpm record collection of his parents. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Mary Klick, was born in Washington County, Maryland, in the early 1920s, in a family of 10 children.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This Time I Would Know |
The Browns: Jim Ed Brown & two sisters Maxine and Bonnie.
UK-couple Miki & Griff, who covered many songs by the Browns for the UK-market, also released this song in the US in Sep. 1962, a 45-release on Spruce 102 |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
It's Just The Idea |
Recorded in January 1959 by the Osborne Brothers and by Johnnie & Jack,
but not released at the time. First released version: George Hamilton in 1960,
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Am I Still In Your Heart |
Not the Chuck Negron song |
probably unreleased |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Father Time and Mother Love |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
When The Band Plays The Blues |
Pamela Law
does a great version of the song, rough, primitive rock with a honky tonk piano.
Record came in text sleeve: Boyd Records Presents Pamela Law $2,000,000 Talent search |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Arnie Derksen, a Canadian rockabilly artist, recorded 3 Loudermilk songs,
of which only 1 was released in 1959 and the 2 others 30 years later on a Bear Family compilation album. See covers below.
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
I'd Like To Be Alone Loudermilk / Wilkin |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
K4WO Loudermilk / Wilkin |
A story of talking on short wave Ham Radio with a lady in Paris,
precursor of internet chat contacts. Recorded with Floyd Robinson and JDL on guitar, Floyd Cramer on piano and
the Anita Kerr Singers chorus. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The Party Was Over Loudermilk / Arnie Derksen |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Some later releases incorrectly mention Marijohn Wilkin as co-author of the song
|
Famous arranger George N Terry wrote a piano arrangement to the song.
However on the recording no piano is heard, just guitar, bass, a little rhythm and the buzzer of the bus (special effects by Bob Farris).
First release by Billy Graves was a poor monotonous rendition (the record was a #21 local breakout hit in Minnesota in May 1959). Surprisingly, this obscure record was picked up in Germany to be used for the debut record of Audrey Arno. She was
a German-born singer/ dancer of a French/ Italian circus family. Audrey later
recorded in France some hit records and worked in Las Vegas' Moulin Rouge in the 1970s. She died circa 2004 in Las Vegas.
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Three times a sheet music publication for Midnight Bus: Left the Billy Graves original, middle Australian rock star Col Joye (example of a practice common from Australian song publishers of the early 1960's: put a photo of popular rock/pop recording artists on the cover even though he had not recorded it, hoping to sell more of the sheet music), and right the Johnny Chester version. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Please Don't Play Number Nine
Loudermilk / Wilkin |
Three songs recorded April 1959, not used by Columbia but first released
by Bear Company in 1995 on BCD 15875. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The Angel Of Flight 509
Loudermilk / Wilkin |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
March Of The Minute Men |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
N-U-T-H-I-N-G Wilkin / Loudermilk |
A good swinging fast rocking recording, Boots Randolph on sax;
lyrics
Stan's sons Chris & Rich formed the Black Crowes. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The Steady Game |
Lyrics.
Johnny O'Keefe's cover was a #12 hit down under (pic sleeve of a 1961 EP including his version); in 1962 his version was released in the USA on Mr Peacock 111, but failed to make it in the States. O'Keefe lived and died like Presley |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Half Breed |
Marvin Rainwater's original peeked #66 in Aug. 1959 in Billboard Hot 100
Ricky Nelson's EP that contained the song was a #1 smash hit on the Billboard EP Charts, Sept. 1959
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Wilkin / Loudermilk
Stonewall's sheet music publication |
The song was written early 1959 by John D. and Marijohn Wilkin. Story goes that they had been
sitting for an hour and no ideas had formed into lyrics. "Well John", Marijohn finally mused, "I guess
we've met our Waterloo." John grabbed his guitar and set the rhythm with a few chords. Marijohn, sensing
his thoughts, joined in, "When will you meet your Waterloo?". Half an our later the song was on paper.
John remembers: "It was a song that I didn't have too much faith in. It was a combination of a couple of old gospel tunes. The bass drum in it came from the fact that I had played bass drum in the Salvation Army up 'til the time that I was 17 years old. But after we got through writing and arranging it and the dub session, that's where my interest left. I said, "I can't see a thing in the world for that song...", so it was strictly Marijohn who took that song and did something with it. (story and quotes from Darryl E. Hicks' book "Marijohn", 1978). Though the official lyrics go like This rather simple, a bit silly, song sold very well (US top 10 pop) for Jackson.
Single release on Decca (probably Danish sleeve) by Englishman Bob Cort, accompaniment directed by Johnny Douglas.
Austrian EP, 1959, by Fred Rauch; in 1976, new lyrics, a German 'schlager', now entitled 'Mary Brown';
and New Zealand EP by Garth Young and his trio in 1959
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Last Night You Fell In Love |
The Bear-box release mistitles it as Last Night We Fell In Love |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
I'll Never Tell |
Early teen 45 by Tompall Glaser,
of later Outlaws fame along with Waylon Jennings and Willie Nelson. Tompall recorded the song in 1959, but release was year later. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Travelin' Man Loudermilk / Wilkin |
It is not the same song as Ricky Nelsons "Traveling Man",
see JDL/MJW lyrics.
Loudermilk's tune must have been an inspiration to Roger Miller when he wrote King of the Road |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Grin And Bear It Loudermilk / Wilkin |
A BMI-award winning song, a copy of the Waterloo-formula;
C&W #9 hit in Billboard.
Lyrics |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Heaven Fell Last Night |
The guitar intro of this great song is by John Loudermilk.
The song was released as the B-side of the #1 mega-hit "The Three Bells" (John also plays guitar on that recording). Magazine Music Reporter even considered Heavne Fell Last Night as the A-side at the time of release |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Leaving Woman Blues |
A great song, swinging, moving, jazzy. Both ladies cover the song in a great, powerful way.
Harvie Vanderpool came from a musical family. Daddy had a gospel quartet and did local radio shows in Dayton, OH. Harvie was signed to King Records by Syd Nathan in 1954 when she was 13. Her brother Fed Vanderpool recorded as Van Houston for Columbia, he was the first to record Patches (later Dickey Lee's hit) and Statue of a Fool (later by Jack Greene and Ricky Van Shelton), but Columbia never released those two as singles as they thought they were too morbid. More about Sara(h) Northcutt, who recorded the song as "Leav'n Woman", see section below. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Don't Quit |
The various artists CD "Honey Doll" revived this obscure
Loudermilk song (missing in the BMI or Library of Congress copyright database) |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Sara(h) Northcutt ← publicity pic in Billboard, April 1960 → picture sleeve (spells "Sara") and label scans (spell "Sarah") from the obscure RKO 1840 release, later released as Boyd 1840. The record was released in April 1960, and got a 3-star review in Billboard. The fantastic
"Leav'n Woman" was described as an interesting jazz-blues effort.
My agent and I went to Nashville to the RCA Victor Studio to make a recording. When we got there John Loudermilk
was at the studio, and after hearing me sing, he said he would like for me to record some of his songs.
We went to his home and went through some of the songs, and came out with about four or five to choose from.
It was John D. that chose Leavin Woman Blues, which I dearly loved, and Don't Quit for the flip side.
The Jordanaires, who usually backed Elvis Presley, were the backup group on the record. I especially liked Gordon Stoker.
He was very nice to me, and gave me some good pointers. John said he was well pleased with the record and thought it would be a hit.
Thank you Sara for contacting me and telling me about the recording! Sara now is practising attorney in California and has been in practice over 20 years. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
(The Ballad Of) Baby Doe Loudermilk / Wilkin |
"Another song Marijohn and I wrote was a song
about The Baby Doe, about the Matchless Mine out in Colorado.
Marijohn had been out there. I hadn't been at the time,
but Marijohn, of course, coming from out there in the West,
had traveled extensively out there and she told me about the mine
and Baby Doe. It was strictly a folk-narrative, and I thought it was a mighty good song",
JDL comments in Darryl E. Hicks biography on Marijohn Wilkin.
The Ballad of Baby Doe also is an American opera (!) of 1956 |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Boo Boo Stick Beat Murrey M Harman jr / Loudermilk |
In Nov. 1959, Billboard reported: Buddy Harmann, Nashville's ace drummer, is getting distributorship
for the boo boo stick, which he's hoping will stir a kid craze like the hula hoop did. Buddy is
co-author and boo boo stick player on Chet Atkins' hit Victor recording Boo Boo Stick Beat
←RCA Australian EP released in 1960 |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Blackjack |
Instrumental, except for 1 line: "I won't talk!" done by Jordanaires' member Raymond Walker.
Recorded 1959, released as late as 1963. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The Writin' On The Wall Loudermilk / Wilkin |
Another try to use the Waterloo-formula to make a hit. Did not work.
Lyrics |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Angels Cryin' |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Amigo's Guitar Roy Bodkin / John D. Loudermilk / Muriel Deason Wright |
Hart Curl, NC disc jockey and good friend of Loudermilk, recalls an anecdote Bill Tunstall once told him:
"John D lived in a big house with a big car, which he offered to let me drive. John and I were riding down a four-lane highway, when John got the idea for the song Amigo's Guitar. He stopped in the middle of the highway and finished the song. I never rode with John after that!". (source: Curl's Corner, thanks Mike Spicer for sending me a print of this newspaper column).
A 1960 EP-release that included Kitty's two JDL-covers Amigo's Guitar and Lonely is a Word, and a Latin American
EP by Dodie Stevens with Amigo's Guitar
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Lonely Is A Word |
A sad and beautiful little song, that -being
the B-side of Amigo's Guitar- never really got much attention. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Blue Bells Ring |
A surprise cover by Patrizzio Paganessi & Mario Moro,
a very successful French duo in the years 1942-1960, their last but one record out of their 100+
releases
← sleeve of the EP with the French version |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Hula Star Loudermilk / Wilkin |
Bailes, one of the 4 singing Bailes brothers, was a 1940s-1950s C&W veteran;
label shot The recording features Jerry Byrd on steel |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Lost In A Small Café |
Grammer gave Monument its first hit with the original version of "Gotta Travel On", a folk/country classic.
1959 LP cover, though the album's title was Travelin' On, Grammer's hit wasn't on that album. Later releases of the LP did include the track but then Lost In A Small Café was left out. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Wilkin / Loudermilk |
Good song and excellent versions by Brenda Lee (Boots Randolph on sax) and Kidd & Pirates.
Not to be confused with another song: "Weep No More, My Lady" (Frank Sinatra & many more)
Left: EP with Brenda's killer version of Weep No More, right Japanese single release
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ward Of Broken Hearts |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
I'd Live On Worms Wilkin / Loudermilk
(the record misspells Laudermilk) |
Release by The Gross Brothers, three country/ gospel boys from Rising Sun, Indiana, twins Jerry and Larry, younger brother Jamie.
The record came in picture sleeve. The song I'd Live on Worms is a Cedarwood copyrighted song written in 1959.
The release of the cover by the Gross Brothers must been around 1967-1970 |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Hey Ma (Hide The Daughter) |
Good, catchy song about a traveling salesman visiting a farmhouse back in the woods
→ Release by The Gross Brothers. The record came in picture sleeve, song title now spelled "Hey Maw" |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Only The Lonely |
Not the Orbison song, of course. JDL plays guitar on the session |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Half-Way To Heaven |
JDL plays guitar on the sessions.
Song reminds me of Mickey & Sylvia's hit "Love is Strange" |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
picture sleeve of 1966 release by L.A. disc jockey Sam Riddle on the Tower label. |
A very dancable song. The French-Spanish cover by José Francis turned it into a calypso.
John D. told Mike Reid (in his book "From Major to Minor"): "Angela Jones was a girl I met when I took a course in ballroom dancing to try to become a teacher. I wrote that song using her name as a title, but I never found out what she thought about it as I never saw her again from that day to this".
Johnny Ferguson was a real one-hit wonder artist. His "Angela Jones" peaked at #27 in Billboard's US hitparade.
Ferguson, born 1937 in Nashville, worked as a radio announcer for WNAH, WAGG and WSM-TV in Tennessee and WJAT in Georgia
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Blue Serge And White Lace Loudermilk / Wilkin |
B-side of "Angela Jones".
In fact a duet, sounds like co-composer Marijohn Wilkin does the uncredited 2d voice. |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Golden Girl |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Loudermilk's signature song.
Contrary to what some sources say, the song is NOT inspired by the 1933 play by Erskine Caldwell, but based on a place in East Durham that Loudermilk knew well in his youth. The song is partly autobiographical, partly not. Tobacco Road actually was a grassy strip in East Durham, where hogsheads of tobacco were rolled down to the warehouse. So rough that the police would not venture there at night. Read the interesting blog about the place. Loudermilk wasn't "born in that dump", nor "mamma died" and he never saw "daddy got drunk". But he knew Tobacco Road's reputation and actually saw it from a teenage job delivering telegrams, "to take money orders down there every saturday night and everybody would all be drunked up" (Info based on the booklet of the Bear-cd). Tobacco Road in fact was Marvin's Alley, a street in East Durham that's now called Morven Place. In the 1950s, the alley was a crime haven, dominated by prostitution and gambling.
Tobacco Road originally was done as a folk song.
Listen to a sample (Southern Folklife Collection)
Lou Rawls gave the song a soulful treat, the UK band The Nashville Teens gave it the beat treatment, and afterwards the
Jefferson Airplane, who knew the Lou Rawls version, recorded it and turned the song into
a rock standard in the sixties. An endless string of rock, blues, garage, beat,
punk etc versions since then have been recorded.
Little Michael Jackson sang it on the audition sessions of The Jackson Five for Motown in 1968 (video of it circulating).
Lyrics (published in UK, the Nashville Teens hit version)
TOBACCO ROAD w & m by John D. Loudermilk ©1960 Cedarwood I was born in a dump, Mamma died and daddy got drunk, Left me here to die or grow In the middle of Tobacco Road. Wo wo wo Grew up in a rusty shack, All I owned was hangin' on my back. Only you know how I loathe This place called Tobacco Road, But it's home. The only life I've ever known Only you know how I loathe Tobacco Road Gonna leave get a job With the help and the grace from above Save my money get rich I know, Bring it back to Tobacco Road. Wo wo wo Bring dynamite and a crane, Blow it up, start all over again. Build a town, be proud to show, Give the name Tobacco Road But it's home. The only life I've ever known I despise you 'cos you're filthy, But I love you 'cos you're home. (source: Country Hall of Fame No4 John D. Loudermilk) That's how the lyrics were published in the Loudermilk songbook.
Loudermilk, and almost everybody else, sings 'm different at some points:
Only Lord knows instead of Only you know, grace from above becomes grace from God, the "dump" in line 1 sounds more like "lump" (Status Quo even sang here "bunk") and the "wo wo wo" is left out.. A collage of 45 releases with Tobacco Road:
and a collage of LP's containing Tobacco Road:
|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Does My Heartache Show? |
Sugar sweet teenage pop song. Left: sheet music publication for the British pop singer Jan Burnette (she recorded the best version). |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Eighth Wonder Of The World |
Guess a late 1950s composition, not released (?) until The Whitsteins found it |
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Tremble |
Remarkable song: George Hamilton IV confessing to have assisted to a lynching gang
to hang a man. Lyrics include a reference to
the old gospel "Were You There When They Crucified My Lord": Lord, sometimes it causes me to tremble
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
In 1959 three young Norwegian actor-sailor-singers who worked for the motion picure "Windjammer" formed The Windjammers, and recorded an album for RCA. On the album two unique Loudermilk covers can be found, see below. How did the group come to record these songs?
Sven Libaek, one of the Windjammers, wrote me:
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
March of the Vikings |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Beatnik Bill |
|
In 1960 Loudermilk moved from Universal/Cedarwood to Acuff/Rose publishing company.
To next part, 1960-1963 RCA, Hickory, Nashville Acuff-Rose years
Last update June 2023